Built to behave the way an image editor is supposed to behave, so there is
nothing to unlearn. These are the parts people use every day.
Layers
Stacks that stay editable
Raster layers, nestable groups, fill layers, and 27 blend modes. Layer
masks and clipping masks, per-layer opacity and fill opacity, locks, and
drag-to-reorder.
Selections
Marquees, lassos, wand — and better
All four boolean modes, feather, expand, contract, grow and similar.
Select a colour wherever it appears, or fit a selection's edge to the one
in the photograph, which is what hair needs.
Painting
One stroke engine, ten tools
Brush, pencil, eraser and clone stamp share their size, hardness,
opacity and flow with dodge, burn, sponge, blur, sharpen and smudge — so
all of them behave the same way. Tablet pressure, and brushes made from a
selection.
Repairing
Healing brush and history brush
Take texture from elsewhere and tone from where it lands, so a mark on
a cheek comes out without leaving a disc of slightly-wrong brightness.
Paint one region back to an earlier point in the history.
Adjustments
Fourteen, and none of them final
Curves, Levels, Exposure, Hue/Saturation, Colour Balance, Black &
White and the rest — each as a dialog with a live preview and as
a non-destructive layer, with a curve editor and a live histogram.
Filters
Thirty, previewed at 1:1
Blurs, sharpen, noise, distortions, stylise and a custom convolution.
The preview shows real full-resolution pixels rather than a proxy, so you
judge detail before you commit to it.
Type & shapes
Still editable tomorrow
Text layers from your installed fonts, edited live on the canvas with
a caret. Rectangles, ellipses, polygons, stars and Bézier paths with a Pen
tool and boolean operations — all of it re-editable after the fact.
Smart objects
Change your mind, twenty times
A layer that keeps the picture it was made from, so scaling and
rotating never wear it out. Place one picture in several spots and
correcting it is one correction rather than four.
Effects
Layer styles that follow the layer
Drop shadow, glows, bevel and emboss, satin, colour, gradient and
pattern overlays, stroke — each with its own blend mode and geometry, and
a shared global light.
Colour
Right, not just plausible
ICC profiles kept from the files that carry them, CMYK opened as four
real inks, sixteen bits a channel through to export, and a canvas that
shows the document on the screen it is actually on — with soft proofing.
Geometry
Warp, carve, straighten
Free Transform, warp and puppet warp, content-aware scale that carves
out the dull parts instead of squashing everything, and a perspective crop
that undoes the angle you shot at.
Files
Opens what you already have
A layered project format of its own, PSD in and out with layers and
masks intact, camera raw (DNG), SVG as editable shapes, animated GIF and
APNG as a frame per layer, plus PNG, JPEG, TIFF, WebP and more.